Phil. , NET. Shubhanku Kochar, M. Phil. , Ph. D.
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The religion encompasses theists, atheists, and agnostics, with some viewing the religions deities as entities with a literal existence and others viewing them as Jungian archetypes or symbols. Even among theistic Wiccans, there are divergent beliefs, and Wicca includes pantheists, monotheists, duotheists, and polytheists. Common to these divergent perspectives, however, is that Wiccas deities are viewed as forms of ancient, pre Christian divinities by its practitioners. Altar statues of the Horned God and Mother Goddess crafted by Bel Bucca and owned by the Mother of Wicca, Doreen ValienteMost early Wiccan groups adhered to the duotheistic worship of a Horned God of fertility and a Mother Goddess, with practitioners typically believing that these had been the ancient deities worshipped by the hunter gatherers of the Old Stone Age, whose veneration had been passed down in secret right to the present. This theology derived from Margaret Murrays claims about the witch cult; she claimed that whereas the cult as recorded in the Early Modern witch trials had venerated a Horned God, centuries before it had also worshipped a Mother Goddess. This duotheistic Horned God/Mother Goddess structure was embraced by Gardner who claimed that it had Stone Age roots and remains the underlying theological basis to his Gardnerian tradition.
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Dr. A. Sharada and Dr. S. D. A. , and Schwartz, S. 1991. Writing and writing instruction for students with learning disabilities: Review of a research program. Learning Disability Quarterly, 142, 89 114. Perkins, J.
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This time, the scene was completed in six days and Chaplin was happy with Cherrill's performance. Chaplin had been shooting the film for a year and was only a little more than half way finished. From March to April 1930, Chaplin shot the scenes inside of the millionaire's house at the Town House on Wilshire Boulevard. He hired Joe Van Meter and Albert Austin, whom he had known since his days working for Fred Karno, as the burglars. In the late spring of 1930, Chaplin shot the last major comedy sequence: the boxing match. Chaplin hired Keystone actor Hank Mann to play the Tramp's opponent. The scene required 100 extras and Chaplin took four days to rehearse and six to shoot the scene and was shot between June 23 and 30. Chaplin was initially nervous over the attendance for this scene so he invited his friends to be extras. Over 100 extras were present. Chaplin's performance in the scene was so humorous that more people arrived daily to be an extra. In July and August, Chaplin finished up six weeks of smaller scenes, including the two scenes of the Tramp being harassed by newsboys, one of whom was played by a young Robert Parrish.